Scheda libro
Biographies

Marcel Duchamp

La vita a credito

  • Author: Bernard Marcadé
  • Year: 2009
  • Language: Italian
  • Pages: 608
  • Price: 32.00 €
  • ISBN: 978-88-6010-002-3
  • Size: cm 15.5 x 23

Described by André Breton as the most intelligent man of the 20th century, Marcel Duchamp has never ceased to wield great influence over contemporary art since his death in 1968. From Dada and Surrealism to Futurism and Cubism, his art is interwoven with the great artistic movements of the 20th century without ever being reducible to any one of them.

If Picasso insistently presents the figure of the artist as demiurge, Duchamp personifies the contemporary artist through his invention of the ready-made and has been recognized since the 1960s as an undisputable source of inspiration by younger generations of artists.

A great deal has been written about his work but far less about his life, which he led outside the current categories, not as an artist or anarchist but as an “anartist”, to use his own neologism. Detachment, elegance, the freedom of indifference and interpenetration of opposites as well as a constant assertion of laziness and physiological disdain for money were for him the original tools of an unprecedented stance with respect to the world and things: “I prefer living and breathing to working.” Duchamp’s frequent, caustic remarks on his life serve as a whole to delineate a personal economics (reduce needs in order to be truly free) and an authentic art of living.

According to Henri-Pierre Roché, Duchamp’s finest work was his use of his time. Bernard Marcadé takes this view as his starting point in the deep conviction that detailed examination of the artist’s life will provide the best understanding of his art. By describing the ready-made as a sort of appointment, Duchamp himself suggests the importance of the events of everyday life in the conception of his works. The biographical elements in play – meetings, friendships, secrets, correspondence and love affairs – are not only anecdotal and marginal trimmings of the work but “biographemes” constituting its fundamental components.

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Bernard Marcadé, art critic and curator, teaches aesthetics and art history at the École Nationale Supérieure d’Arts, Paris Cergy. He was joint curator of ‘Féminin-Masculin: le Sexe de l’Art’ (Centre Georges Pompidou, 1995) and has written numerous essays on contemporary art.

Prefazione di Achille Bonito Oliva  

1. Figlio di notaio

2. Piano acquoso e riga difficile

3. «Deteorizzare» il Cubismo

4. Antinaturale e antisociale

5. Un nudo può scendere le scale?

6. Monaco

7. «Basta con la pittura, cercati un lavoro»

8. «Estendere le leggi della fisica»

9. Acqua & gas a tutti i piani

10. «Non vado a New York, me ne vado da Parigi»

11. New York, opera d’arte totale

12. Libertà di indifferenza

13. Concetto di niente

14. Victor alias Totor

15. Dada nell’aria

16. La madonna del bagno

17. Feste, facezie e libertinaggi su un fondale di guerra…

18. Tu m’

19. Chess maniac a Buenos Aires

20. Aria di Parigi

21. Société Anonyme, Inc.

22. Rrose Sélavy

23. «En 6 qu’habilla Rrose Sélavy»

24. Stone of Air

25. L’«incompiutezza definitiva» del Grande vetro

26. «Artista spretato» e «femme savante»

27. Mary

28. «Mi muovo nella piattezza»

29. Marcel Duchamp alias Marchand (du sel)

30. Morice & Maurice

31. La sposa e lo scapolo

32. Rosse est la vie

33. Sulla via della beatitudine

34. L’opera messa in scatola dal suo scapolo, anche

35. Vacanze nel passato

36. Abitante dell’infrasottile perdigiorno

37. Storie di valigie in tempi di guerra

38. «Disertore» a New York

39. «Chessing, lessoning, starting a few boxes, my usual life»

40. Maria

41. Nostra signora dei desideri

42. La morte di Mary

43. Oggetto-dardo

44. Teeny

45. «La posterità, questa bella carogna…»

46. «Respiratore» transatlantico

47. Anartista

48. L’artista di domani si darà alla macchia

49. Lasciar fare, lasciar dire…

50. «D’altronde sono sempre gli altri che muoiono»

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