Breve storia delle macchie sui muri - Adolfo Tura - Johan & Levi - Libro Johan & Levi Editore
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Breve storia delle macchie sui muri

Veggenza e anti-veggenza in Jean Dubuffet e altro Novecento

One day, between three and two and a half million years ago, an Australopithecus was wandering in the Makapan valley in South Africa when something suddenly caught his attention. It was a pebble of jasper, whose appearance, shaped by the work of natural agents, made it look like a human skull. Three cavities on a rounded surface and lo, a face appeared: in a world that until then had been limited to pure existence, this was the first “image” ever to be born.

Our ability to see figures in stones or clouds presupposes an innate faculty in man: to misinterpret reality wisely in order to give it meaning. Since the Paleolithic period, this delirium of interpretation, to cite Dalí, has never ceased to have repercussions on artistic production, making those who practice it a “seer”. But if it is true that from the sputum on the walls of a hospital Piero di Cosimo could make out battle scenes, the twentieth century also produced a counter-movement: allowing a figure to degenerate into a stain, the doors of anti-clairvoyance swung open.

Max Ernst’s obsession with cracks in the shapeless, living material of wood for his famous frottages, and Pierre Bonnard’s predilection for domestic scenes in which the usual contours dissolve into illegibility thus reveal themselves to be two sides of the same coin. These two trends are linked to Jean Dubuffet’s work, which with its imprints, the result of the random impression of crumbs, salt and dust on a slab, and his textures – in which even a beard ends up becoming an incongruous visual experience – have given substance to the propensity of contemporary art to disrupt our gaze on reality.

Making Dubuffet his fil rouge, in his acute yet unpredictable way Adolfo Tura pursues the thousand paths of art, philosophy and literature (to name but a few) in which clairvoyance and anti-clairvoyance emerge as apparently antithetical tools that are capable of whispering answers to the same twentieth-century anxieties.

Written by
Topics Critics
Collection Saggi d'arte
Publisher Johan & Levi
Size 15,5 x 23 cm
Pages 111 pages + 4 (inserto)
Illustrations 23 images b/w and colour
Published on 05/2020
ISBN 9788860102416


Indice testuale

1. Fancy in nubibus, o della veggenza 
Atto terzo, scena seconda 
L’australopiteco paranoico 
«I call them semi-automatics…» 
La luna è commestibile 
Macchie docili o cocciute 
Alligatore senza autore 
Cattive intenzioni 
Vedere non è vedere 

2. According to Watt, o dell’anti-veggenza 
Umori novecenteschi 
Afasia di Bonnard 
Immagini fragili 
Ciò che si urta nel buio 
Testure di Dubuffet 
Barbe a precipizio 
Essere la barca, essere il muro 
Carl Einstein profeta dell’Hourloupe


Breve storia delle macchie sui muri

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