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One of the most famous American petrol industrialists and “richest man of America” from 1950 to 1970, J. Paul Getty was above everything else an insatiable art and antiques collector. Getty started collecting in the 1930s and continued compulsively throughout his entire life, despite having many times tried to stop, as he recounts in his autobiography As I See It. The Joys of Collecting by Getty is a short book in which the author recalls a number of personal anecdotes – revolving around a series of highly representative pieces of antiques, furniture and paintings –, explains his art-collecting philosophy, offers advice, and recalls his greatest successes, encouraging novice collectors to face the perils and hazards of art collecting and, regardless of budget limitations, enjoy the thrill, the drive and sense of adventure he himself enjoyed so much.  If the personal pleasure of laying hands on an artwork is a major component of Getty’s narrative, this book is also about his genuine faith in the civilising influence exerted by great artworks and the importance of sharing them with the public: “Banal as it may sound in this glib and brittle age, the beauty that one finds in fine art is one of the pitifully few real and lasting products of all human endeavour. That beauty endures even though nations and civilizations crumble; the work of art can be passed on from generation to generation and century to century, providing a historical continuity of true value.” It was his wish that his private collection would become the J. Paul Getty Museum of Malibu.   Translated by Elena Balzano.
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Le gioie di collezionare

J. Paul Getty

publisher: Johan & Levi

pages: 93 pagine

One of the most famous American petrol industrialists and “richest man of America” from 1950 to 1970, J. Paul Getty was above everything else an insatiable art and antiques collector. Getty started collecting in the 1930s and continued compulsively throughout his entire life, despite having many times tried to stop, as he recounts in his autobi
Known by the ancient Romans as Caere, Cerveteri was a one of the most important Etruscan cities. With its port of Pyrgi and a necropolis renowned for the magnificence and evocative quality of its tombs, it was added to the list of UNESCO World Heritage Sites in 2004. A stage of the 19th-century Grand Tour mentioned in countless travellers’ accounts, it was the object of minute drawings and written descriptions by authors like George Dennis and Elizabeth Hamilton Gray as well as numerous historical and archaeologic studies in the 19th and 20th century. The names established in the academic sphere do not, however, include the priest Sabino De Nisco. Educated in Naples, probably under the guidance of the Latin scholar and philologist Enrico Cocchia, this self-proclaimed “doctor of letters” is the author of acute and precious contributions to our knowledge of Caere and Pyrgi that are not mentioned, however, despite their quality, in the post-1950s scholarly literature on Cerveteri. This volume presents two short studies on the origins of the city and the divinity of the temple of Pyrgi published in Naples by De Nisco in 1909. Clearly evident in both are the author’s first-hand archaeological knowledge of the site and absolute mastery of the literary sources combined with the solidity and authority of his reasoning, acute critical intelligence and keen sense of historical research in attributing the city’s origins to the Terramare culture rather than the Pelasgians and identifying the divinity of the temple of Pyrgi as the exquisitely Greek figure of Leukothea. This new edition seeks to set the writings of De Nisco, after a century of oblivion, in their rightful place alongside the principal works of historical and archaeologic research on Cerveteri.
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Cerveteri, Pyrgi e le origini degli Etruschi

Sabino De Nisco

publisher: Johan & Levi

pages: 128 pagine

Known by the ancient Romans as Caere, Cerveteri was a one of the most important Etruscan cities. With its port of Pyrgi and a necropolis renowned for the magnificence and evocative quality of its tombs, it was added to the list of UNESCO World Heritage Sites in 2004. A stage of the 19th-century Grand Tour mentioned in countless travellers’ accou

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