Libri di Giuliano Sergio - libri Johan & Levi Editore

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Giuliano Sergio

author
Johan & Levi
Professore di storia dell’arte all’Accademia di Belle Arti di Venezia. Critico e curatore, tra le principali pubblicazioni: Information document œuvre. Parcours de la photographie en Italie dans les années soixante et soixante-dix (Parigi 2015); Atlante degli archivi fotografici e audiovisivi italiani digitalizzati (Venezia, 2015). Tra le principali mostre che ha curato e co-curato: Luigi Ghirri. Pensare per immagini (MAXXI, Roma 2013; IMS, San Paolo e Rio de Janeiro 2013-14); Paolo Gioli. Abuses (Villa Pignatelli, Napoli 2014); La montagne de Venise di Yona Friedman con Jean-Baptiste Decavèle (Venezia 2016); Julia Margaret Cameron, Florence Henri, Francesca Woodman. L’arte del femminile (Villa Pignatelli, Napoli 2017); Le Pietre del Cielo. Luigi Ghirri e Paolo Icaro” (Fondazione Querini Stampalia, Venezia 2017-18). Con l'Archivio Ugo Mulas ha curato diverse mostre presso Villa Pignatelli (Napoli, 2010), la Triennale di Milano (2012), la Fondation Henri Cartier Bresson di Parigi (2016) e un convegno al Centre Pompidou con Clément Chéroux (Parigi, 2011).

Author's books

Vitalità del negativo nell’arte italiana 1960-70, the first show organized by the Rome-based association Incontri Internazionali d’Arte, founded by Graziella Lonardi Buontempo, initiated a major effort to promote contemporary art, both Italian and foreign. The 33 artists featured are now emblematic of Italian art in the 1960s and ’70s: Vincenzo Agnetti, Carlo Alfano, Getulio Alviani, Franco Angeli, Giovanni Anselmo, Alighiero Boetti, Agostino Bonalumi, Davide Boriani, Enrico Castellani, Gianni Colombo, Gabriele De Vecchi, Luciano Fabro, Tano Festa, Giosetta Fioroni, Jannis Kounellis, Francesco Lo Savio, Renato Mambor, Piero Manzoni, Gino Marotta, Manfredo Massironi, Fabio Mauri, Mario Merz, Giulio Paolini, Pino Pascali, Vettor Pisani, Michelangelo Pistoletto, Mimmo Rotella, Piero Sartogo, Paolo Scheggi, Mario Schifano, Cesare Tacchi, Giuseppe Uncini and Gilberto Zorio. Ugo Mulas, the photographer most closely involved with the international art scene at the time, was commissioned to cover the event, which he did in his unmistakable style. The 130 photographs taken, which remained largely unpublished on their author’s death at an early age, now appear in this volume some forty years later. They capture the artists, the installations and the visitors in an extraordinarily lucid photographic reading a crucial exhibition for Italian contemporary art. The book also provides useful insight into the history of photography, shedding light on the photographer’s work and his dialogue with artists. It was during the show’s inauguration that Mulas took one of the first shots of the “Verifications” series, regarded as among the most important photographic works of the period in terms of formal rigour and analysis of the medium.
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Ugo Mulas. Vitalità del negativo

Documenting the Seminal Exhibition of the Italian Avant-garde

publisher: Johan & Levi

pages: 208 pages

Vitalità del negativo nell’arte italiana 1960-70, the first show organized by the Rome-based association Incontri Internazionali d’Arte, founded by Graziella Lonardi Buontempo, initiated a major effort to promote contemporary art, both Italian and foreign. The 33 artists featured are now emblematic of Italian art in the 1960s and ’70s: Vinc
 

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