Libri di Giuliana Bruno - libri Johan & Levi Editore

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Giuliana Bruno

author
Johan & Levi
Born in Naples, she lives in New York since 1980 and is professor of Visual and Environmental studies at Harvard University. She is the author of many essays that explore the intersections between cinema, visual arts and architecture, including Rovine con vista. Alla ricerca del cinema perduto di Elvira Notari (1995). His book Atlas of Emotion. Journeys in Art, Architecture, and Film received the Kraszna-Krausz prize for best book on moving images, launching the psilosophical theory of emotional geography. His contributions on contemporary art are published, among others, by the Guggenheim Museum, the MAXXI, the Whitney Museum, the Reina Sofia Museum and the MOMA. His latest book is Atmospheres of Projection. Environmentality in Art and Screen Media (2022).

Author's books

In a culture marked by the virtual and rapidly changing new media, what is the place of the surface, the very expression of a physical substance? A border area between internal and external worlds, a threshold that separates the visual from the tactile, the surface is also and above all a place of material relations. In order to discover the materiality of the images that fill the contemporary and grasp their significance, it is therefore essential to explore the space of these relations and how they are mediated through surfaces that may take on the features of skin, of a dress, of a cinema screen or of a canvas, and even the screens of the electronic devices that dominate our daily lives. In following the thread of these encounters we discover how the visual is structured and understand that the image is not just a two-dimensional element, but something porous, an epidermis that absorbs time, a place where forms of memory and transformation can find expression; it is a device for bringing distant space-time dimensions together. Delving deep into the object relations between art, architecture, fashion, design, cinema and new media, Giuliana Bruno asks questions about the concept of materiality and its many manifestations. Surface is a magisterial wandering through contemporary visual culture; a walk that traverses the light spaces of artists such as Robert Irwin, James Turrell, Tacita Dean and Anthony McCall, touches the tactile surfaces of the cinema screens of Isaac Julien, Sally Potter and Wong Kar-wai and travels across materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. It is a dissertation that manages to dispel a myth – that the surface is something superficial.
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Superfici

A proposito di estetica, materialità e media

Giuliana Bruno

pages: 320 pages

In a culture marked by the virtual and rapidly changing new media, what is the place of the surface, the very expression of a physical substance? A border area between internal and external worlds, a threshold that separates the visual from the tactile, the surface is also and above all a place of material relations. In order to discover the materi

Atlante delle emozioni

In viaggio tra arte, architettura e cinema

Giuliana Bruno

pages: 592 pages

Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno’s Atlante delle emozioni is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures she emphasizes that “sight” and “site”
 

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