Libri di Miriam Bratu Hansen - libri Johan & Levi Editore

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Miriam Bratu Hansen

author
Johan & Levi
Miriam Bratu Hansen (1949-2011), one of the founders of cinema studies, was born in Germany and studied in Frankfurt with Habermas and Adorno before moving to the United States. In 1990 she arrived at Chicago University, where she inaugurated the Department of Cinema and Media studies and where she taught for the rest of her life. In addition to important joint works with Alexander Kluge, she wrote countless texts on the history of cinema and film theory.

Author's books

Cinema studies have undergone such proliferation since the 1990s as to become an authentic academic discipline. Their object of investigation now appears, however, to be gradually dissolving into a flux of ever-changing, global and globalizing culture of the image, audiovisual, electronic, digital and web. Miriam Bratu Hansen goes back to the principle, to the clear-sighted critique of modernity developed by three pillars of 20th-century aesthetics, Kracauer, Benjamin and Adorno, on this particular medium: not on what cinema is but on what it does, on the particular sensory and mimetic experience that it makes possible for spectators. Starting, for example, from the Mickey Mouse cartoons, whose immense popularity Benjamin attributed simply to “the fact that the public recognizes its own life in them”. This is not therefore an ontology of cinema but an attempt to understand its role within evolving modernity, albeit with different perspectives and approaches. In point of fact, films make a substantial contribution to the reconfiguration of experience understood in its fullest sense of Erfahrung, as everyday life, social and working relationships, the economic and political spheres. Despite the competitive media environment into which it is embedded, cinema has survived, adapted and transformed itself. The recent opening of the digital frontier and the necessary rethinking of devices as well as fundamental film categories like movement and animation present a new challenge that is not, however, a threat. Having “burst this prison-world asunder with the dynamite of the tenth of a second”, cinema could reopen apparently closed chapters of aesthetics and restore their contemporary relevance.
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Cinema & Experience

Le teorie di Kracauer, Benjamin e Adorno

Miriam Bratu Hansen

publisher: Johan & Levi

pages: 416 pages

Cinema studies have undergone such proliferation since the 1990s as to become an authentic academic discipline. Their object of investigation now appears, however, to be gradually dissolving into a flux of ever-changing, global and globalizing culture of the image, audiovisual, electronic, digital and web. Miriam Bratu Hansen goes back to the prin
 

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